The fun thing would be that if this works, you could have two of these "DIY Touchés" for example and still have 8 pads and 16 encoders left for other uses. I'm sure our Mozaic experts would be able to write such a converter □□ From thunderous basslines to frantic taser leads, gentle plucks to sharp staccato, the Mercury collection of electronic sounds brings a unique intensity to your music production. Touché est un instrument expressif qui permet de contrôler le son dun synthétiseur par la pression de la main. If the weight of the square block is chosen to match, this could be a rather expressive and sensitive hack. Dont miss the latest Expressive E news by subscribing to our newsletter I subscribe. I have tried that with an old square-shaped copper CPU cooler and the pressure sensitivity of the four pads seems to be in a rather workable range! Why not put a massive square of heavy wood or steel on four pads, shape the bottom so it fits the pads and won't slip away and then calculate the respective CC messages from reading the aftertouch messages from the four different pads. Buy Expressive E Touch SE USB Instrument Control Surface for Software Synthesizers, and Music Production Software: MIDI Controllers - FREE. Now the Touché basically sends absolute MIDI CC data from pressure four different directions: Upper, lower, left and right. There are several ideas on how to build such a mechanism but while discussing MIDI control protocols for Drambo and Groove Rider, I remembered that the Arturia Beatstep sends polyphonic aftertouch messages. Prepare your perfect control mappings and recall them live. Popular Account 0 Basket Trustpilot 4. Inspired by the wonderful work of and at the same time shocked by the retail price of an Expressive E Touché, I wondered for a while how a cheaper alternative could look like. Touch can operate standalone, controlling MIDI and CV hardware without a computer connected. Expressive E Touché SE Controller Expressive Es ToucheÌ SE is a unique andaffordable instrument for adding expression, depth and.
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